hackers - wizards of the electronic age (documentary)

another interesting post on CTheory's section "Resetting Theory":

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CTHEORY: THEORY, TECHNOLOGY AND CULTURE VOL 32, NOS 1-2
*** Visit CTHEORY Online: http://www.ctheory.net ***

RT 005 06/02/2009 Editors: Arthur and Marilouise Kroker
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On Game Art, Circuit Bending and Speedrunning as Counter-Practice:
'Hard' and 'Soft' Nonexistence
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Author: Seb Franklin

Intro: "In _The Exploit_ Alexander R. Galloway and Eugene Thacker speculate
that "[f]uture avant-garde practices will be those of nonexistence."
[1] This extraordinary claim is a response to the current ubiquity of
digital technology and its impact on cultural politics; if existence
becomes a question of being classified informatically, the avoidance
of this classification, or nonexistence, becomes of paramount
importance. The discussion of nonexistence in _The Exploit_ opens
with a question, one that forms the basis of this essay: "how does
one develop techniques and technologies to make oneself unaccountable
for?" [2] Directly following this question comes a specific, material
example through which a crucial distinction between "unaccountable
for" and "invisible" or "absent" is made -- the use of a laser
pointer, aimed into a surveillance camera in order to 'blind' it. In
this situation, the camera is not destroyed nor is the individual
shining the laser actually hiding, or invisible; instead, they are
simply not present on the particular screen or data set recorded by
the camera in question. [3] The same is true of the tricking of a
server, causing it to record a routine event when one goes online.
These kinds of tactics, "tactics of abandonment", are "positive
technologies" for Galloway and Thacker. They are entirely distinct
from absence, lack, invisibility and nonbeing because they are "full"
or rather, because they "permeate." [4] The practical consequences of
Galloway and Thacker's formulation of nonexistence are clear: It's
not a question of hiding, or living off the grid, but of living on
the grid, in potentially full informatic view, but in a way that
makes one's technical specification or classification impossible." etc.etc.etc.

Networking. The Net as Artwork (English Version) by Tatiana Bazzichelli

Copying from a post at the http://faces-l.net list:

"Networking. The Net as Artwork" by Tatiana Bazzichelli is finally ready in English language. It is promoted by the DARC, Digital Aesthetics Research Center of Aarhus University.http://darc.imv.au.dk/?p=62You can download it from this link:http://darc.imv.au.dk/wp-content/files/networking_bazzichelli.pdf

A reconstruction of the history of artistic networking in Italy and of the Italian hacker communitiy from the 1980s to date.Preface by Derrick De Kerckhove. Epilogue by Simonetta Fadda.

Contents:Networking means to create nets of relations, where the publisher and the reader, the artist and the audience, act on the same level. The book represents a first tentative reconstruction of the history of artistic networking in Italy, through an analysis of media and art projects which during the past twenty years have given way to a creative, shared and aware use of technologies, from video to computers, contributing to the creation of Italian hacker communities.The Italian network proposes a form of critical information, diffused through independent and collective projects where the idea of freedom of expression is a central theme. In Italy, thanks to the alternative use of Internet, during the past twenty years a vast national network of people who share political, cultural and artistic views has been formed.The book describes the evolution of the italian hacktivism and net culture from the Eighties till today. At the same time, it builds a reflection on the new role of the artist and author who become networker, operating in collective nets, reconnecting to Neoavant-garde practices of the 1960s (first and foremost Fluxus), but also Mail art, Neoism and Luther Blissett.A path which began in BBS, alternative web platforms diffused in Italy through the 1980s even before Internet even existed, and then moved on to Hackmeetings, to Telestreet and networking art of different artists such as 0100101110101101.ORG, [epidemiC], Jaromil, Giacomo Verde, Giovanotti Mondani Meccanici, Correnti Magnetiche, Candida TV, Tommaso Tozzi, Federico Bucalossi, Massimo Contrasto, Mariano Equizzi, Pigreca, Molleindustria, Guerriglia Marketing, Sexyshock, Phag Off and many others.Tatiana Bazzichelli (Rome, IT, 1974), is a communication sociologist and an expert in network culture, hacktivism and net art. She is a Ph.D. Scholar at Aarhus University.