Saturday, October 2, 2010
A little-known story about a movement, a magazine, and the computer\\\'s arrival in art: New Tendencies and Bit International, 1961-1973 : [bit international [Nove] tendencije. Computer und visuelle Forschung Zagreb 1961-1973. Exhibitions: Neue Galerie Graz am Landesmuseum Joanneum 28.04.-17.06.2007, ZKM, Center for Art and Media Karlsruhe 23.02.2008-18.01.2009] / ed. by Margit Rosen. - Cambridge, Mass. : MIT, 2011. - 576 S. : zahlr. Ill.
This book documents a short but intense artistic experiment which took place in Yugoslavia fifty years ago, but whose impact has been felt far beyond that time and place. Ostensibly, the “little-known story” concerns the advent of computers in art and a movement which began in 1961 in Zagreb, Yugoslavia. It was through the activities of that movement, known as New Tendencies, and its supporting institution, the Galerija suvremene umjetnosti, that the “thinking machine” was adopted as an artistic tool and medium. Pursuing the idea of “art as visual research,” the New Tendencies movement proceeded along a path which led from Concrete and Constructivist art, Op art, and Kinetic art with its dynamic apparatuses to computer-generated graphics, film, and sculpture – from “programmed art” without computers to art generated or controlled by computers.
With their exhibitions and conferences on the theme of computers and visual research and the launch of the multilingual, groundbreaking magazine bit international in 1968, the New Tendencies transformed Zagreb, already one of the most vibrant artistic centers in Yugoslavia, into an international meeting place where artists, engineers, and scientists from both sides of the Iron Curtain gathered around the then-new technology. For a brief moment in time, Zagreb was the epicenter for exploring the aesthetic, scientific, and political potential of the computer. This volume, edited by Margit Rosen, includes new essays by Jerko Denegri, Darko Fritz, Margit Rosen, and Peter Weibel; a great number of essays and texts that were first published in New Tendencies exhibition catalogs and bit international magazine; and historic documents. Over 650 black-and-white and color illustrations testify to the wide and diverse panorama of artworks that were presented in the exhibitions, and introduce the movement’s protagonists. Many of the historic photographs, translations, and documents are presented here for the first time. The book presents the long overdue history of the New Tendencies experiment and its impact on the art of the twentieth century.